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But the idiot plan and its inept execution ensure that it’s a tumble to a disaster, tragedy. The lines on his face tell the story of a city that demanded unspeakable sacrifices, which often began at home. Gurgaon grabs you instantly with its moody cinematography (Vivek Shah) and thrilling background score (Naren Chandavarkar, Benedict Taylor, sound design by Mohandas V. The upholstered, plush living rooms and manicured lawns have a haunted look that’s disturbing. The expensive, large house of Kehri Singh (Pankaj Tripathi), owner of Preet Estate, has a row of palm trees decorating its entrance. A foreign-trained architect, she will take over the business and her first assignment is Preet Nagar, a Rs 25,000 crore township that will have a “Shanghai, Dubai-waali feel”.The film draws its power from the unpredictability of what its simmering characters may do, and from situations that may at any time go out of their control.. Kehri Singh has kept that land for Preet’s office. Gurgaon has an exceptional cast of actors. His grip over it loosening a bit when Aamir Bashir arrives. In this world, where women are the most dispensable items, where the pursuit of power and money and perennial, Preet owes her special status to a dark twist of fate and a guruji’s pronouncement. The film diligently follows the themes, style of noir — neon lights, urban landscape, corruption, squalor and glamour living cheek-by-jowl — and even draws some bits from genre predecessors, like the murder in the car. Everything Kehri Singh wholesale Bath Mats owns belongs to Preet — his adopted daughter. Don’t miss it. But today the violence — whether over Rs 27 at a toll booth, or a perceived slight — is often for reaffirmation of their macho power, and the victims are often people who have intruded into their land, innocent bystanders whose very existence is taken as a taunt. The language we hear — violent, abusive, is born of a world that’s long gone — a world of farm lands, cow, milk and water. Kehri Singh’s elder son Nikki Singh (Akshay Oberoi), younger son Chintu (Ashish Verma), their friend Rajvir (Arjun Fauzdar) are taking the ice bucket challenge.Rating: Cast: Akshay Oberoi, Pankaj Tripathi, Aamir Bashir, Ragini Khanna, Shalini Vatsa, Arjun Singh Faujdar, Ashish Verma, Mukul Chaddha, Yogi Singha, Anna Adon, Srinivas SunderajanDirector: Shanker RamanSeveral films have been made on Gurgaon, but none explores and explains the estranged relationship and indelible bond of the city’s original inhabitants with their own land like Shanker Raman’s noir thriller Gurgaon does. OMG!! Where has he been all this while? He invests Bhupi with a menacing mix of a dark past and a sharp focus on the task at hand.A lost bet requires a plan to get money. Pankaj Tripathi, as the always drunk Kehri Singh, speaks little, but controls the film. Home — that’s one of the many fascinating themes of Gurgaon.). Gurgaon’s plot is simple, linear. These are spaces where there are strong familial bonds, places where business is conducted and from where every member draws power. A man so desperate and disturbed that the only way he can feel he is alive is by watching someone writhing in pain. Bhupi brings with him flashbacks to a life before Gurgaon was handed over, one plot at a time, to builders. Born of and set in new Gurgaon — Cyber City that’s simultaneously bustling, busy, growing, and rotting at its core — the film opens with a disconnect that’s all too apparent and common. He failed in everything he’s done — school, business, and that’s why his plan to build Power House Gym is dismissed rudely. It involves a kidnapping, satta boss Vikki, Rajvir and his Mamaji’s house, an innocent bystander Anand Murthy (Srinivas Sunderrajan) and, eventually, the special skills of Kehri Singh’s brother Bhupi (Aamir Bashir). Yet the families, living with debilitating guilt and secrets, are dysfunctional. Nikki, hurting from the insult and loss of power, sets in motion a chain of events by placing a huge bet on Virendra Sehwag’s century. Akshay Oberoi’s Nikki Singh is like a double-edge sword. Inside men are celebrating Kehri Singh’s victory in the Rotary Club election. His own son, Nikki, he says, is manhoos, no good. A car from the airport brings Preet (Ragini Khanna), and her friend Sophie home. The sites writer-director Raman picks — from the toll booth to the garbage dump, from the empty posh bar, to the hotel with a jacuzzi bath — are all rich with meaning.The film’s script, screenplay — by Shanker Raman, Sourabh R, Vipin Bhatti, Yogi Singha — and dialogue soaked in the flavour of the city and its ethos.P